
Got to play the first LI∆R Noise/Industrial/Dub set. It killed.
I got asked to do the Editing & Analog processing for this VHS release from Frataxin on Invocation Films (as released by Black Ring Rituals).
I’ve seen Joe perform a couple of times, and though Power Electronics really isn’t my thing, this dude gets me every fucking time. What an absolute ripper.
In a new personal first for me, this is getting released on Betamax, in addition to the VHS. What a treat.
This show ended up being a bit of a bummer (there was a really offensive DEATHPILE set which you shouldn’t google that super wrecked the vibe), but I was ultimately really happy with my performance.
I got to do a 15 minute cover set of Throbbing Gristle tunes with my friend Jake Vest of SWIMWARE & BIG AURA. Here’s a little bit of footage from it.
I don’t know much about The Haters.
https://www.kcet.org/shows/artbound/the-haters-35-years-of-noise
This is pretty fucking rad.
Also, GX Jupitter-Larsen has been keeping a gig log forever, and I am forever ashamed that I did not.
http://performances.jupitter-larsen.com/1979-1989.html
Also. . . this might be the greatest thing I’ve ever read in a wikipedia article:
“From 1982 to 1986, he submitted a black video tape entitled Blank Banner to over forty video festivals. It was screened in nine.”
I ran into some old friends at a show the other day, and they mentioned that they got a CRT TV, but didn’t have any thing to show on it.
That immediately got my wheels spinning. . . I’ve got a small collection of New Old Stock T-160s, and I’ve always wanted to put together some 8 Hour SLP Mixtapes.
VHS is unique, in the fact that you can record such an extreme amount of useable information on them. 8 Hours in SLP might not be the best quality (Combination of tape speed, and tape thickness), but it’s definitely watchable. Cost-Conscious consumers used SLP to maximize their tape lengths for a large chuck of the VCR’s lifespan, and nobody seemed to mind.
Additionally, for the right content, it lends a certain ‘crunch’, not unlike recording drums to tape.
Anyway, I’m laying off the first of the ‘Noisetape’ dubs now. . . and I can’t wait to see the result.
No one can conceivably sit down, and watch an 8 hour VHS tape in one go. That’s not what it’s designed for, I think. . . I think they should be played on loop, in the background of one’s art studio, quietly influencing the people around it.
I’m only making 4, to pass along to 3 folks that I think will get the maximum yield from them, and I can’t wait to see how it influences their work.
Here’s some examples of what’s on this particular tape:
The Homey, wearing a classic VIDEOPUNKS shirt. Shit is WILD.
https://en.wikipedia.org/wiki/UbuWeb
https://en.wikipedia.org/wiki/Tellus_Audio_Cassette_Magazine
https://en.wikipedia.org/wiki/Visual_music
https://wavefarm.org/ta/residencies
https://en.wikipedia.org/wiki/Koan_(program)
https://en.wikipedia.org/wiki/A_Year_with_Swollen_Appendices
https://en.wikipedia.org/wiki/Brian_Eno#Generative_music
http://www.clocktower.org/
http://hyperallergic.com/121286/5-old-school-nyc-video-artists-you-should-know-and-follow/
http://experimentalintermedia.org/
http://westbeth.org/http://anthologyfilmarchives.org/
https://en.wikipedia.org/wiki/List_of_glitch_artists
https://en.wikipedia.org/wiki/Henryk_G%C3%B3recki
https://en.wikipedia.org/wiki/Molly_Soda
https://en.wikipedia.org/wiki/Lindsay_Howard
https://en.wikipedia.org/wiki/Theory_of_constraints#Operations
https://hermetic.com/topy/television-magick